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An entertaining history of how musicians learned to record music for all time, filled with art that sings.
In today’s digital landscape, we have the luxury of experiencing music anytime, anywhere. But before this instant accessibility and dizzying array of formats―before CDs, the eight-track tape, the radio, and the turntable―there was only one recording technology: music notation. It allowed singers and soloists to travel across great distances and perform their work with stunning fidelity, a feat that we now very much take for granted.Thomas Forrest Kelly transports us to the lively and complex world of monks and monasteries, of a dove singing holy chants into the ear of a saint, and of bustling activity in the Cathedral of Notre Dame―an era when the only way to share even the simplest song was to learn it by rote, church to church and person to person. With clarity and a sense of wonder, Kelly tells a story that spans five hundred years, leading us on a journey through medieval Europe and showing how we learned to keep track of rhythm, melody, and precise pitch with a degree of accuracy previously unimagined.
Kelly reveals the technological advances that led us to the system of notation we use today, placing each step of its evolution in its cultural and intellectual context. Companion recordings by the renowned Blue Heron ensemble are paired with vibrant illuminated manuscripts, bringing the art to life and allowing readers to experience something of the marvel that medieval writers must have felt when they figured out how to capture music for all time.
100 color illustrations and audio CD- Sales Rank: #307871 in Books
- Published on: 2014-11-03
- Original language: English
- Number of items: 1
- Dimensions: 9.60" h x 1.00" w x 6.50" l, .0 pounds
- Binding: Hardcover
- 256 pages
Review
“From the sparest clues showing the contour of early chant to the most intricate and beautiful musical symbols ever devised, Capturing Music is engaging at every turn. Tom Kelly is a master storyteller.” (Ross W. Duffin, author of How Equal Temperament Ruined Harmony (and Why You Should Care))
“Readers will delight in the exquisite beauty of this volume―it looks like a richly illuminated manuscript! And with Blue Heron’s expertly and lovingly produced recordings, this is so much more than a book―it is something rare and wonderful.” (Susan Hellauer, founding member of Anonymous 4)
“With his characteristic blend of deep scholarship and clarity of style, Tom Kelly has written a timely history of the most significant revolution in musical practice of the last thousand years.” (Peter Phillips, founder and director, Tallis Scholars)
“Tom Kelly’s Capturing Music is a splendid introduction to the wonders of medieval notational technology, written in an engaging way.” (Margot Fassler, Keough-Hesburgh Professor of Music History and Liturgy, University of Notre Dame)
“For generations to come, this lucid book will be the go-to study of notation for performers of early music, and a soothing balm for anyone who wants to understand how visual technology reflected the ways music was conceived, performed, and documented.” (Benjamin Bagby, director of Sequentia)
“Marvelously witty and engaging.” (Publishers Weekly)
“Mr. Kelly’s fascinating book tracks the centuries-long process by which pitches and rhythms were codified.” (Eric Felten - Wall Street Journal)
“Gorgeously illustrated… If you have ever wondered how a system of dots and lines in space came to express the arrangement of sounds in time, this engaging, chatty book explains how… Thomas Forrest Kelly’s witty and colloquial prose style makes the book much more approachable than you might expect.” (Melinda Bargreen - Seattle Times)
About the Author
Thomas Forrest Kelly is professor of music at Harvard University. He studied musicology and chant on a Fulbright in France, and he has taught at Wellesley, Smith, Amherst, and Oberlin Colleges. His previous books include First Nights: Five Musical Premieres and First Nights at the Opera. He lives in Cambridge, Massachusetts.
Most helpful customer reviews
24 of 25 people found the following review helpful.
The book is beautiful to look at
By Nemo
The book is beautiful to look at, and very informative. The accompanying CD, by the vocal ensemble "Blue Heron", performs 17 of the pieces discussed in the book; I found the performances to be lovely, and the recording technically excellent.
As for its being "low-brow", as another review complained, the author does make the occasional topical wisecrack. To which I say, "Chill out, dude!"
I'm looking forward to giving the book a second, detailed reading. In the meantime, it will rest on my shelf between Grout's "History of Western Music" and Tufte's "Envisioning Information", two classics in whose company "Capturing Music" belongs.
16 of 16 people found the following review helpful.
Can't be better
By Michael R. Linton
The development of music notation that, for the most part, clearly allows pitch, rhythm, tempo, articulation, dynamic and timbre, to be scored and then newly performed from the score -- without the direct instruction of someone already familiar with the music -- is one of the great accomplishments of Medieval Western Civilization. But because of the history's complexity it's both usually skipped in general introductions to music and treated only minimally in the training of professional musicians in undergraduate programs. "Capturing Music" brilliantly corrects this problem.
In wonderfully readable prose, easily accessible to the amateur, Kelly traces the story of notation's development from fragments in the Middle East and the Hellenistic Levant to the polyphonic musical monuments of the late Middle Ages. Although essential to the understanding of notation, in previous books on the subject accompanying illustrations have been both minimal and usually in black and white. But here we have copious full color illustrations and, as in the case of one of Machaut's ballades " Biaut�. ." and Cordier's rondeau "Belle, bonne" we have splendid full color reproductions of works that are often referenced but, before now, tricky to find in facsimile. That the book includes a CD of performances of the pieces referenced in Kelly's text testifies to the care the publishers took with this volume (with the expense the publishers went to I'm surprised the price isn't much higher).
While I wish that the book would have been longer, taking us into the 20th Century, that is probably more of a request for a multi-volume set, not for a couple of additional chapters. Those wishing for a specialist's understanding of medieval notation (or better, notations) will still need the help of other monographs, but as an introduction to how notation changed our musical world, I can't image a more wisely planned, or eloquently argued, or beautifully prepared book.
12 of 13 people found the following review helpful.
The First Seven Hundred Years
By Benzman
A jewel. Beautifully conceived, constructed, both the images and the words utterly fascinating. I am a musician, also performed on period renaissance instruments, always using modern notation. Capturing Music is my tool to understanding where it started and bloomed.
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